It’s that time of year when the annual best of lists start turning up and music site Pitchfork have submitted their top 100 songs of the year.
It’s good to see something with as provocative title as, Murder Most Foul make the top 10. As is seeing Megan Thee Stallion also in those upper echelons – twice.
It’s hard to deny W.A.P. the top spot given its cultural landscape – in some circles anyway.
This blog would have liked to have seen The Weeknd a little higher for similar reasons.